The haunting beauty of plunderphonics, field recordings.
Plunderphonics is a term coined by composer John Oswald in 1985 in his essay Plunderphonics, or Audio Piracy as a Compositional Prerogative. It has since been applied to any music made by taking one or more existing audio recordings and altering them in some way to make a new composition.John Oswald (1953 - ) Biography. John Oswald is a Canadian composer, saxophonist, photographer, and dancer. His best known project is Plunderphonics, the practice of making new music out of previously existing recordings. In addition to his extensive work in plunderphonics, Oswald is also involved with acoustic music, as a composer and improvisor.This essay examines sampled composition—soundscapes created through the manipulation and combination of preexisting recordings, appropriated bits of sonic time and space. I trace a century of sampled composition from experiments in the 1920s, through hip-hop and plunderphonics, to contemporary styles like vaporwave and bubblegum bass.
John Oswald (born May 30, 1953 in Kitchener, Ontario) is a Canadian composer, saxophonist, media artist and dancer.His best known project is Plunderphonics, the practice of making new music out of previously existing recordings (see sound collage and musical montage.Plunderphonics is a term invented by John Oswald in his essay, Plunderphonics, or Audio Piracy as a Compositional Prerogative, and refers to the compositional technique of utilising and manipulating one or more pre-existing audio sources to create a new composition.It is an Experimental form of sound art that uses similar techniques found in Sound Collage.
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